There seems to be an unspoken rule among mystery writers that once the author has created a successful character, the obligation to fans demands regular installments in the hero's life history, whatever the author's literary aspirations. Sir Arthur Conan Doyle was famously unsuccessful at killing off Sherlock Holmes and resurrected his detective in response to public outcry. Michael Connelly's police procedural series featuring Harry Bosch has garnered numerous top mystery awards, including the coveted Edgar. But, strangely, it is his deviations from Bosch, including The Poet and Blood Work, that have drawn the biggest readerships--and have won awards of their own to boot (The Poet was honored with the 1997 Anthony Award). Now, once again, Connelly follows up the success of a Bosch book, Angels Flight, with a non-series tale that pushes Connelly's already impressive body of work into new territory. Void Moon traces the path of Cassie Black, a gifted thief who struggles with the temptation of "outlaw juice" (the burning desire to live the fast life of crime and payoffs) even while she regularly attends her probation meetings. It's not that hawking Porsches to newly flush young Hollywood males isn't satisfying, but... well, it isn't. After years away, she returns to her old striking grounds in Las Vegas for one last big mark hoping to pave her way into a new life. But Cassie discovers that her old Las Vegas is a new town with a new skyline